莊子 · 逍遙遊 — Concordance
The opening of the Zhuangzi — the giant fish 鯤 that becomes the sky-spanning bird 鵬 — read line by line, with the classical Chinese commentary beside every rendering.
Each passage is broken into its natural lines of original Chinese. For every line you can switch which English translation shows — our own Scholar reading, a plain-language reading, and the two classic public-domain translations (Legge, 1891 and Giles, 1889) — using the switch at the top.
Two kinds of dotted underline appear under the Chinese, and they mean different things:
And when a character’s pronunciation itself is disputed (異讀), the mark rides on the pinyin instead of the character — the underlined syllable opens the rival readings (e.g. 鵬 as péng or fèng), grounded in the 經典釋文.
釋義 interpretation is the one that’s easy to mistake for a wording dispute: the character isn’t in doubt, only its sense — so it is not rival wording, and never gets the red mark. (Separately, where our translations diverge, a “Why they differ” button opens the anatomy and lets the Chinese commentary settle it; “註疏 commentary” opens the 4th–7th c. Chinese explanation of the line, and “據 grounding” shows which vetted authority backs each of our own choices — so the page shows its receipts.)
This text survives in more than one recension — different historical editions that genuinely diverge, not just in wording but in which whole passages they contain. Section headers carry a badge (≡ present in both / ⊘ absent from witness, etc.) showing how that passage fares in the other recension; where a counterpart exists, a “compare” button opens it alongside. This is a different, coarser axis than the 異文/釋文 marks above — those mark disputes over one character, this marks whether a whole episode is even present.